Preparing Paper for a Drawing

I used to just start drawing and not worry about keeping the edges even and clean, but now I'm much more particular. I really like the crisp look of sharp edges, and the picture can be framed without being covered by a mat. Deckled edges on nice paper can be shown off too, and generally I think it looks more professional.

An example of clean edges on a charcoal drawing, and deckled paper.

For most drawings I buy big papers, usually 22x30 inch, and cut them to be exactly the size I want. This way I'm can make unusual sizes and aspect ratios.

Laying out the big paper and measuring for cutting.

First I measure out and mark the cut lines with pencil. Then I double-check the measurements and look at it from a distance to make sure the corners are square and the lines are straight.

Drawing piece cut out from the big piece.

Some kind of straight edge to cut against is essential, and a fresh razor blade. I try to keep the metal of the straight edge over the drawing side of the cut, so if the blade slips it won't cut into the picture piece. Sometimes I've had to put newsprint under the straight edge to keep it from scratching soft paper.

Artist tape placed around the drawing edges.

After the paper is cut I measure the outlines for the drawing and add light pencil lines. Then I put down  artist's tape outside the lines, this tape has nice soft adhesive that won't tear paper when it gets removed. It seals well enough to keep out charcoal and pencil dust, and has peeled off easily even months later.

Newsprint cut to fit around the back and edges of the drawing paper.

Sealing the back and sides of the paper with newsprint keeps off stray charcoal dust and keeps corners from getting bent from handling.

Bottom side labelled.

Since I usually leave extra space at the bottom for a signature, and try to put the deckles on the bottom, I make sure to mark which side is the bottom. One time I accidentally drew a picture upside down, and only realized when it was finished and unwrapped. So I now label the top and bottom before closing up the newsprint.

Newsprint taped down and sealed with masking tape.

Then I use regular masking tape and seal the newsprint to the artist's tape, being super careful not to  touch it to the drawing paper.

Artist tape and masking tape.

After shredding too many papers pulling the tape off of finishing drawings, I don't use masking tape any more. Even the painter's grade tape can stick unpredictably. Masking tape also has a bad habit of getting gooey and gross after a few months too.

Working on This Weekend-2/7/2015

 Here's some of the stuff I've been working on this last month. A charcoal drawing and a few paintings: 

Dry Wash, charcoal on paper, 12x16 inches, unfinished.

This drawing is based on a picture my mom took a few years ago. It's patterns left in the desert sand after a rain. Only on the second layer, so the darks haven't really been built up yet, and I'll probably add the brightest white highlights with acrylic paint after I get done blending the charcoal layers. I don't like using white pastel because it mostly disappears when sprayed with fixative, and I like my drawing to be sealed and safe to handle.

Toxic Beach Foam, oil on canvas panel, 5x7 inches, unfinished.

This little thing is just an experiment, playing with sand mixed in the paint, and combining a few colors I had in mind.

Winter Deer Skull, oil on panel, 16x20 inches, unfinished.

Still working on the deer skull, kind of forgot about it for a few weeks, added a few things on the background this week.

Dam on West, oil on canvas panel, 5x7 inches, unfinished.

This is the first session for this painting, about an hour, and I really like the colors on it so far.

Three Pink Roses, oil on panel, 8x10inches, unfinished.

Almost finished with the roses, I worked on the shadows and the stems today, probably need one more sitting to fill in some of the pinks and whites. Some of the colors on the flowers look grey in the photo, so I tried that and it looked dead and wrong, so I wiped it off and tried a light blue, but that looked funny too. Then I tried a light purple instead, and that really popped.  It's funny how colors can be so tricky. Sometimes if I get really stuck figuring out a color I'll open the picture in Paint and use the eyedropper tool to see exactly what it is.