Working on This Weekend-3/16/15

I got a lot of painting done this weekend, and started a few new pieces too. Mostly I was trying to avoid working on the deer skull, it's at a tedious place, working on the background. So I started a few new things on Saturday and worked mostly on the deer skull on Sunday.

Horse drawing with Copic pen, 5x7 on Bristol paper, unfinished.

Little drawing of a horse I started a while ago and worked on a bit this week.

AZ Aspen, 9x12, oil on canvas panel, unfinished.

This will be a painting of an aspen with yellow leaves, from northern Arizona last fall.  The sky was such a deep blue that day, and I think I got pretty close to the right color. I tried a few colors from Williamsburg oil paints, and their Sevres Blue has been very useful, especially for skies, because it lightens dark blues without looking washed out.

Kinishba Ruins, 11x14 in, oil on canvas panel, not quite started yet.

Another picture I took on my last trip to Arizona, at the Fort Apache Indian Reservation. These are the Kinishba Ruins, a Mogollon and Anasazi great house site from the 1200s, that are sadly in pretty bad shape. The ruins have been partially restored a few times, some walls propped up and such, but still need a lot of work. I just picked the colors here, and tok some notes. I need to lay out a drawing on the panel before I start painting, since there's a few things that will look wrong if I'm not careful about drawing them.

Texas Spring Flowers, oil on panel, 8x10 inches, unfinished.

This will be a little spring wildflower painting, from a picture my mom took a few years ago. I used a panel by a brand I'd never tried before and the surface was very slippery. So I just tried to get a first layer down to add some tooth, hopefully adding the next paint layer will be easier.

Winter Deer Skull, oil on panel, unfinished.

The deer skull picture slowly continues, I'm working on the background right now. About the bottom two-thirds have a dark layer done, and I'll finish the top third, then add the highlight and bright grasses on top. I think there will be a lot of adjusting lights vs. darks once the background is closer to done, to keep it from competing with the skull too much.

Working on This Weekend-11/2/2014

The main project I have going now is a big painting of a deer skull hanging on a fence. The light was great that day, sharp and wintry, the shadows on the skull were bright blue and the grasses were grey and gold.

Deer Skull, 16x20, preliminary drawing for a painting. 

Laying out the drawing and doing the transfer to the painting board was tedious, but it's finally done. I also decided to leave out the fence post and the tag on the right antler.

Deer Skull testing color schemes for a painting. 

Picking the colors is the next part, I want to do glazes of pure color over most parts of the painting. Glazes will glow and be intense, but that means all the colors have to be right from the beginning. First I tried Pthalo Blue, Indian Red, Yellow Ochre, Titanium White, and Vandyke Brown (the bigger sheet on the left). But the problem with Vandyke Brown is that it tends to look dead and gross when it mixes with white or yellow, and is hard to get dark enough because it's so transparent. So I tried again with Raw Umber, which is about the same color as Vandyke Brown, but plays nicely with other colors and is nice and dark. And I switched the Indian Red for Permanent Rose, because that makes a nice pretty purple with the blue and it will work on the parts of the shadows that look pink too. Currently I'm thinking Pthalo Blue, Permanent Rose, Raw Umber, Yellow Ochre and Titanium White will be the way to go.

Hall House Deer Skull, pencil on Bristol paper, 5x7, unfinished.

I also have a few small pencil and pen drawings floating around. This is another whitetail deer skull, from the tree in the backyard at my grandma's house.

Thistle, pencil on Bristol paper, 5x7.
Another small drawing, of a thistle seed pod in the winter. I haven't decided whether to use copic pen or pencil yet, maybe both. 

Beach Shells,  oil on Gessoboard,  5x7, unfinished.

Still working on the little sea shell picture, mostly frustrated with it though. I haven't figured out how to get the sand to look right, and the orange shell is a mess. Some areas are too dark and opaque, it looks blotchy, and I think I might need to repaint most of it to fix it. I used Neo Megilp on Gessoboard and ran into an issue with previous layers wiping off when I tried to scrub in the next color. Maybe sealing the layers with Galkyd Lite might be the way to go. Gamblin used to say not to mix their mediums, but now they say everything can be used together, so maybe I'll ask what they think before I try that.

AZ Blue Sky, 5x7, oil on a canvas panel, probably finished.

A little painting from a picture my mom took somewhere out near Big Lake, Arizona. I keep messing with it, but it's probably done now.

Working on This Weekend-9/1/2014

Finally done with the big Hill Country painting I've been working on for months now, you can see it here on it's own blog: http://hillcountrypainting.blogspot.com/. So now I have a ton of other paintings and drawings to get back into.

Little 5x7 paintings, all unfinished, one is a picture my mom took in Arizona, one is of some tiny seashells from Port Aransas, and blue bonnets from a family reunion a few springs ago. 

Color sketch, practice before I start the bigger painting.

Some pretty pink roses from the San Antonio Botanical Garden, this is the pencil drawing I'll paint over.

My very messy desk.

Quickies

All of these paintings were done in less than three hours, and mostly in one sitting. I had to come back after the first layer dried and add in the bright whites in the clouds. 

Weaver's Needle, 5x7 inches, oil on canvas panel, finished.

Weaver's Needle, detail of clouds.

Port A Dunes,  5x7 inches, oil on canvas panel, finished.

Port A Dunes, detail.

Wupatki Grasses, 5x7 inches, oil on canvas panel, finished.

Long Landscapes

Two 4x12 inch landscape paintings on canvas. First one is of Four Peaks in Arizona, and the second is a view from Big Bend, in west Texas. 

Four Peaks, 4x12 in, oil on canvas, probably finished.

Four Peaks, detail. 

I changed the color of the blue in the sky on Four Peaks, the first color just didn't match. So the clouds aren't quite blended to the sky in a few places, but I don't think I'll spend any more time on this one.

Big Bend, 4x12 in, oil on canvas, finished. 

The sky is one of my favorites, it came out a subtle blue and blends into the haze of a hot afternoon. 

Big Bend, foreground detail.  

The paint on the rocks at the bottom is shiny from the Galkyd medium, to help it stand out from the far away background. The sky and the mid-ground was painted with no medium, so it's matte. I also found  a new trick for making really thin lines. The grasses were very tedious to do with a paintbrush, so I dipped a thread in paint, pulled it tight and stamped it down. Paint stayed exactly in a thin line, and some of it kept some raised texture. I think curved shapes could be made by carefully dropping the string from one end, too. 

Working on This Weekend-9/8/2013

Spent most of the weekend varnishing completed paintings and getting ready for a show. I did spend Sunday morning painting though, and got one small painting finished and another one started.

Port Aransas Dunes, 5x7 oil painting, finished.